!!!SPOILER ALERT!!! What follows is an account of the goings on in a Trail of Cthulhu: Eternal Lies campaign, through the eyes of the characters, Carter Sloane, Marcus Black, Tom Cutway and Will O'Malley. If you intend on being a player in Eternal Lies STOP reading now. If you are here for the actual play of the game, begin with the "campaign journal" link below.
Showing posts with label Los Angeles California. Show all posts
Showing posts with label Los Angeles California. Show all posts
Thursday, 16 November 2017
The Gaze of Azathoth
THE GAZE OF AZATHOTH
Eternal Lies - The Gaze of Azathoth
Bound in black, brain-tanned leather, this book tells the tale of a nameless man (who is also sometimes described as “faceless”) who lives amidst the “dying lights” of the end of days. Blessed with the “thrice-cursed immortality” this man nevertheless feels as if a creeping doom has crept into his bones. His dreams are slowly filled by the recurring image of a great and terrible Eye which “gazes down upon the world”, and he is disturbed to find that many others among his friends and acquaintances have begun to share these dreams.
At last this “gnawing Eye” – belonging to the “dread amorphity of Azathoth” – manifests itself and its horrible gaze is “turned upon the last, burning days of his twilit world”.
Rather than embracing or accepting the doom of his world, however, the man seeks an escape. He finds it in the “flesh of Yog-Sothoth”, creating a gate which allows him to escape to another world.
Unfortunately, the “gaze of Azathoth” had become “locked upon him” through the “barbs which bear the runes of Nyarlathotep”, and the Eye follows him to the new world and turns its destructive force upon it. The man escapes again, using the same gate as before. And, once again, the Eye pursues him.
The man skips from one world to the next, watching as the stars he had doomed wink out one by one from the many skies above him until his nights are marked only by a “haze of unseen red”. But still he runs, carrying with him the curse of Azathoth’s gaze.
At the end of the story he makes the decision to stop running and throws himself prostrate upon the ground. But as he does so, he finds that he has landed “at the feet of the Herald”, who reveals to him a great truth: That the worlds he has left in his wake have not been burdened with destruction, for as long as Azathoth’s gaze is fixed upon the man, he will carry that destruction away with him and spare the worlds behind.
The Herald’s words, however, come too late, for the mind of the man has been consumed by his “gibbering madness”. And neither he nor any of the worlds he has saved will ever know his sacrifice.
Eternal Lies - The Gaze of Azathoth
Bound in black, brain-tanned leather, this book tells the tale of a nameless man (who is also sometimes described as “faceless”) who lives amidst the “dying lights” of the end of days. Blessed with the “thrice-cursed immortality” this man nevertheless feels as if a creeping doom has crept into his bones. His dreams are slowly filled by the recurring image of a great and terrible Eye which “gazes down upon the world”, and he is disturbed to find that many others among his friends and acquaintances have begun to share these dreams.At last this “gnawing Eye” – belonging to the “dread amorphity of Azathoth” – manifests itself and its horrible gaze is “turned upon the last, burning days of his twilit world”.
Rather than embracing or accepting the doom of his world, however, the man seeks an escape. He finds it in the “flesh of Yog-Sothoth”, creating a gate which allows him to escape to another world.
Unfortunately, the “gaze of Azathoth” had become “locked upon him” through the “barbs which bear the runes of Nyarlathotep”, and the Eye follows him to the new world and turns its destructive force upon it. The man escapes again, using the same gate as before. And, once again, the Eye pursues him.
The man skips from one world to the next, watching as the stars he had doomed wink out one by one from the many skies above him until his nights are marked only by a “haze of unseen red”. But still he runs, carrying with him the curse of Azathoth’s gaze.
At the end of the story he makes the decision to stop running and throws himself prostrate upon the ground. But as he does so, he finds that he has landed “at the feet of the Herald”, who reveals to him a great truth: That the worlds he has left in his wake have not been burdened with destruction, for as long as Azathoth’s gaze is fixed upon the man, he will carry that destruction away with him and spare the worlds behind.
The Herald’s words, however, come too late, for the mind of the man has been consumed by his “gibbering madness”. And neither he nor any of the worlds he has saved will ever know his sacrifice.
Azathoth and Other Horrors
AZATHOTH AND OTHER HORRORS
Eternal Lies - Azathoth and Other Horrors
Published in 1909, this collection of Edward Pickman Derby’s nightmare-lyrics was printed by the Miskatonic University Press when he was a youth of only 18 years. The forward describes Mr. Derby as “the most phenomenal child scholar I have ever known. At seven he was writing verse of a somber, fantastic, almost morbid cast which astonished the tutors surrounding him. In the scant few years which have passed since those early gropings, he has flourished into a sensational talent.”
Included in this collection are the poems “Azathoth” (which occupies fully half the book), “Nemesis Rising”, “Charnel House”, “Dead But Not Gone”, and “Medusa’s Kiss”, among others. These works draw heavily upon the local legendry of Arkham, Massachusetts, and combine startling insights with verse of surprising power.
This particular copy has been annotated with extensive marginalia in a cramped hand. These notes draw copious comparisons between Derby’s work and Justin Geoffrey’s The People of the Monolith, alleging that there was a close correspondence between Derby and that notorious Baudelairean poet. The scholarship seems half-crazed, but through a composite of the two poets’ imagery it creates a strong correlation between the omni-present “gaze of the blind idiot” from Derby’s “Azathoth”, the “skipping ebon stones” that “dance across the skim-skein haze” of reality, and the “mastodonic horror” of Geoffrey. One facet of the “compound gaze” is fixed upon the “land beyond the stone” and some solace could be taken from that “plenipotent distance” if a “ladder of faith” had not been built between that land and this.
Eternal Lies - Azathoth and Other Horrors
Published in 1909, this collection of Edward Pickman Derby’s nightmare-lyrics was printed by the Miskatonic University Press when he was a youth of only 18 years. The forward describes Mr. Derby as “the most phenomenal child scholar I have ever known. At seven he was writing verse of a somber, fantastic, almost morbid cast which astonished the tutors surrounding him. In the scant few years which have passed since those early gropings, he has flourished into a sensational talent.”Included in this collection are the poems “Azathoth” (which occupies fully half the book), “Nemesis Rising”, “Charnel House”, “Dead But Not Gone”, and “Medusa’s Kiss”, among others. These works draw heavily upon the local legendry of Arkham, Massachusetts, and combine startling insights with verse of surprising power.
This particular copy has been annotated with extensive marginalia in a cramped hand. These notes draw copious comparisons between Derby’s work and Justin Geoffrey’s The People of the Monolith, alleging that there was a close correspondence between Derby and that notorious Baudelairean poet. The scholarship seems half-crazed, but through a composite of the two poets’ imagery it creates a strong correlation between the omni-present “gaze of the blind idiot” from Derby’s “Azathoth”, the “skipping ebon stones” that “dance across the skim-skein haze” of reality, and the “mastodonic horror” of Geoffrey. One facet of the “compound gaze” is fixed upon the “land beyond the stone” and some solace could be taken from that “plenipotent distance” if a “ladder of faith” had not been built between that land and this.
Monday, 23 October 2017
Session 03 - Carter Sloane
November
3rd 1934 CON'T
With
a couple of hours still left before the plane was due to leave for Los Angeles,
I was determined to make our new found friend’s stay in Savannah interesting.
Using the airfield phone I made a call to the police and reported that I had
witnessed a woman being abducted and believed murdered, at the Adelphi Hotel,
identifying myself as the occupant of room 16, one John Smith. Having satisfied
my petty need for revenge, me and Marcus boarded the Silver Saber.
November 4th 1934
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| HOLLYWOOD HILLS |
The
flight to LA was long and it was midday before we touched down. The Grand
Central Air Terminal was in Glendale, north of LA proper and we caught a cab to
a hotel downtown. It was a Sunday and little was open, even in this bustling
place, so we organised a hire car, then rested and planned our next moves. I
rang Mrs Winston Rogers and told her what we had found and warned her that
someone was invested in ensuring we stopped snooping around.
November
5th 1934
In
the morning we were determined to get an early start. Our destination was the
First Bank of Long Beach, a trip that would take us the best part of a day, where
we believed we held a key for a safety deposit box there. Marcus suggested a
change of clothes, something that would allow us to blend in a little better
and we stopped at a department store on the way. Marcus decided to take off his cleric's collar, a decision that surprised me, but one I agreed with. We left LA, heading south.
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| THE LONG BEACH OIL FIELDS |
Los Angeles was a sprawling place, its building height limit enforced due to the area’s frequent and devastating earthquakes. With a population of over a million, the city was booming, a result of her finance, real estate, and tourism, and a growing film and entertainment industry. As we traveled further south we found ourselves surrounded by towering derricks, ceaselessly pumping oil; producing the wealth that LA had grown fat on.
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| LONG BEACH IN RUINS |
When
we finally did reach Long Beach, to our surprise, we found the city in a state of
ruination, caused by a nasty quake that had struck in March of last year. Despite some restoration, many
buildings were still in a state of disrepair or collapse. The First Bank of
Long Beach was not spared the destruction and we located it near the city
centre, a boarded up shell, whose broad stone steps were badly cracked and occupied
by an assortment of vagrants, squatters, and drunks. It was quite clear that no
banking was done here anymore, and that this had been the case for some time.
A
pockmarked vagrant called “Boils”, in exchange for a buck, was happy to direct
us to an entrance into the derelict building, where we would find a squatter, Jim
Olson, who used to work at the bank. We found Mr Olson inside, where he and
some other hobos had taken up residence. He was invectively bitter about his
predicament, but more than willing to share his knowledge of the bank’s misfortunes.
When we told him we were after a safety deposit box, he told us that he assumed
it was with the FDIC, as they had taken over the books and whatnot.
We
paid Jim Olsen a ten dollar bill for his troubles and started making some
enquires into the Federal Deposit Insurance Corporation, eventually reaching an
Irving Hoff, the head of the LA FDIC, who proved to be a stiff and by the books
egg. He couldn’t process our request over the phone, so we were forced to race
back into downtown LA before the department shut for the day.
Reaching the FDIC just before closing, Hoff’s direct report, a Marv Burlington, was the staffer with the First Bank of Long Beach on his plate. We convinced Marv of the urgency of our case, and in exchange for dinner, he was willing to call ahead to the warehouse and arrange to have the safe deposit box delivered to our hotel.
November 6th 1934
There
was one man, a Latin American, who was in all of the photos. He had the biggest
perverse grin out of all the degenerates caught on film; he looked like he had
been enjoying himself the most. We established he could only be one man, the mysterious
Echavarria, we had heard about. And there was Edgar Job too; the sick bastard. Now
I knew why I had the urge to punch him in the face back at Joy Grove.
I thought I recognised one of the women in the photos too, but couldn’t quite remember who she was or how I knew her face. Her face although, did lead me to recognise another man, Richard Spend, an actor I had seen in a film called The Man in the Forest, who I had remembered hearing somewhere, had died in 24’ in some kind of incident. I thought I knew the details of that “incident in 24’”. He had been on the up until his untimely death.
Marcus put the photographs back into the envelope and stored them in the deposit box. The ledger we had almost forgotten and I now flipped through its pages to discover it was a book of accounts of some sort, written in a code that neither Marcus nor I had any chance of deciphering. Tucked into the back cover was a hotel buck sheet, with the words Echavarria = “Black” and Buchwald = “Towncar” written on it, in what I deduced to be Henslowe’s handwriting.
We sat for a while after that. Our coffees had gone untouched and were cold. The contents of the deposit box weren’t what I had expected. I wasn’t sure what I had expected, but it wasn’t that. When we left the room we locked the photos in the box, I wasn’t getting caught with those on us, taking the coded ledger with us and headed for the City Hall.
The records from Los Angeles City Hall provided us with some further information. We confirmed that Richard Spend had passed away in 1924, aged 32, leaving his sister, a Yolanda Spenzel, still a resident of LA. We also found the address and phone number of Edgar Job’s professor at UCLA, George Ayers. Echavarria came up with little, as we still hadn’t discovered his first name.
Reaching the FDIC just before closing, Hoff’s direct report, a Marv Burlington, was the staffer with the First Bank of Long Beach on his plate. We convinced Marv of the urgency of our case, and in exchange for dinner, he was willing to call ahead to the warehouse and arrange to have the safe deposit box delivered to our hotel.
November 6th 1934
When
we went downstairs for a late breakfast the concierge informed us that
something had arrived. It was the safety deposit box. We skipped
breakfast, Marcus opting to secure us two cups a joe instead.
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| THE DEPOSIT BOX |
We
locked the door to our room and sat the box on the table, opening the curtains wide
for light. The old key we had found inside Douglas Henslowe’s notebook thankfully fit
and gave a satisfying click when Marcus turned it. He opened the box and pulled
out two items; the first a bulging yellowing envelope, the second a large worn
ledger. Marcus passed me the book, while he opened the envelope and begun
thumbing through what appeared to be a dozen or so fading photographs. The look
of disgust on his face and the way he crossed himself held my attention firmly and I quickly learnt the cause behind
his revulsion.
The
photographs were perverse and disturbing to say the least. They each showed between
three and a dozen people engaged in depraved sex acts in a variety of interior
and exterior locations. When I got over the initial shock I could clearly tell
that the photographer had taken them from concealment. I had taken pictures
like this myself, when spying on cheating lovers, but never anything like this.
Not like this.
Most
of the pictures were taken in an opulent residence, rich and tastefully
furnished, the others outside in private gardens. Two photos were taken in the
same working-class apartment, maybe a servant’s room. When they wore clothes at
all, those in the photos wore robes and went hooded. Some wore elaborate jewellery.
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| ECHAVARRIA |
![]() |
| RICHARD SPEND |
I thought I recognised one of the women in the photos too, but couldn’t quite remember who she was or how I knew her face. Her face although, did lead me to recognise another man, Richard Spend, an actor I had seen in a film called The Man in the Forest, who I had remembered hearing somewhere, had died in 24’ in some kind of incident. I thought I knew the details of that “incident in 24’”. He had been on the up until his untimely death.
Marcus put the photographs back into the envelope and stored them in the deposit box. The ledger we had almost forgotten and I now flipped through its pages to discover it was a book of accounts of some sort, written in a code that neither Marcus nor I had any chance of deciphering. Tucked into the back cover was a hotel buck sheet, with the words Echavarria = “Black” and Buchwald = “Towncar” written on it, in what I deduced to be Henslowe’s handwriting.
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| THE BUCK SHEET |
We sat for a while after that. Our coffees had gone untouched and were cold. The contents of the deposit box weren’t what I had expected. I wasn’t sure what I had expected, but it wasn’t that. When we left the room we locked the photos in the box, I wasn’t getting caught with those on us, taking the coded ledger with us and headed for the City Hall.
The records from Los Angeles City Hall provided us with some further information. We confirmed that Richard Spend had passed away in 1924, aged 32, leaving his sister, a Yolanda Spenzel, still a resident of LA. We also found the address and phone number of Edgar Job’s professor at UCLA, George Ayers. Echavarria came up with little, as we still hadn’t discovered his first name.
Marcus
made some enquiries at the university, securing an appointment with a certain
Dr. Hamish MacDunn, at twenty past five sharp, who would discuss Professor
Ayers, while I contracted a clipping agency to look into articles on Richard
Spend.
![]() |
| THE HOUSE OF DONALD MAGWOOD |
Our
best lead was Spend’s sister and following the address we drove north into the affluent
suburb of Wilshire. The house was a gated mansion, surrounded by other gated
mansions. Miss Spenzel had obviously done well. The doorman at the gate almost
turned us away, he didn’t know of any, Yolanda Spenzel, and this was the home
of a Donald Magwood, but then recollection registered on his face and he
directed us through the gate and along a short service road to a coach
house.
Yolanda Spenzel would have been pretty in her younger years but time had not been altogether kind on her. She made us wait outside the carriage-house apartment where she lived while she obviously attempted to dull herself up. Yolanda told us that after Richard’s death she’d been forced into taking a job as a domestic servant, a job she neither particularly liked nor was good at.
She wasn’t especially pleasant to talk to, but was more than happy to discuss her brother. “Not too many people coming around asking about Ricky these days. He got mixed up in some stuff; which it sounds like you already know. For a couple of months before he died, he was going to these parties that his friend Echavarria was throwing at his mansion. Did I say parties? I meant ‘parties.’ Did he ever invite me? No. Probably for the better. He never admitted it, but I think they were filming pornography up there. Nasty stuff, I’m sure, which is probably why he was always sneaking around about it, coming in at all hours, missing his calls for his real work.”
“I confronted him about it. I wasn’t scared of him. I never was. I told him he was being stupid. Putting everything we had worked for at risk like that. And for no reason. He laughed at me, laughed right out loud. Who’s laughing now? Nobody, that’s who. Later on, I did kind of start to get scared of him. He was moody. Sometimes he got violent. Sometime he just sat in a chair until he started, you know, drooling out of his mouth.”
When we pushed her for more information about this Echavarria, she told us what she knew. She told us his full name. Ramon. Ramon Echavarria. She knew his address too, in the hills of Highland Park. She knew the address of the barn as well, where the incident of 24’ had occurred, somewhere outside the city.
“You know, now that I think about it, the police came around once, asking about Ricky, before he died. There were plenty of people asking after he died, but now that we’re talking about it, there was this pair of detectives that came around before he died. They were asking about Echavarria, too. Weird questions, too — what was Ricky reading, did he take any drugs, did I know anything about ‘honey.’ No, that’s not it, not honey. ‘Nectar.’ They asked about ‘nectar.’ I’m sure that was the name of some perverted movie he was working on. Or the name of a hooker.”
We left Wilshire with some good leads and drove straight to the clipping agency office downtown. They had already found quite a few articles relating to Spend, mostly surrounding his death. We asked them to continue and added the names Ramon Echavarria and Donald Magwood to the list. We would come back tomorrow.
The articles they had were of two camps; tabloids relayed he had been stabbed to death at some crazy party in a barn in the north country, while mainstream papers reported he had died peacefully in his sleep from natural causes. I knew which I believed. Of the most interest to us from the articles, was a name, Olivia Clarendon, the name of the face, of the women in the sordid photos I thought I had recognised. Olivia Clarendon was once a B-grade movie star, who was now in the big time. She had certainly moved up in the world and it seemed that Spend and Clarendon had been friends. Special friends.
It
was getting close to the time for Marcus’ appointment at the university and we
made the trip out to Westwood just as it was starting to get dark. I had
decided to seek out a cryptologist while we were there, to help decipher the
ledger, so we parted ways and agreed to meet back at the car.
The
book of accounts recorded information about the inventories and sales of a
product identified by the letter “N”. “N” was tracked in very small volumes of
liquid ounces. I instantly related this “N” product to be the “Nectar” that
Yolanda Spenzel had spoken about. The distribution occurred through a network
of anonymous retailers identified by code names like “Slick”, “Moses”, and
“Umbrella”. A single unit of “N” appeared to have fetched roughly 3 bucks. The
code names “Black (Echavarria) and “Towncar” (Buchwald) appeared throughout the
book, with “Towncar” clearly being the code name of the accountant who kept the
books.
Yolanda Spenzel would have been pretty in her younger years but time had not been altogether kind on her. She made us wait outside the carriage-house apartment where she lived while she obviously attempted to dull herself up. Yolanda told us that after Richard’s death she’d been forced into taking a job as a domestic servant, a job she neither particularly liked nor was good at.
![]() |
| YOLANDA SPENZEL |
She wasn’t especially pleasant to talk to, but was more than happy to discuss her brother. “Not too many people coming around asking about Ricky these days. He got mixed up in some stuff; which it sounds like you already know. For a couple of months before he died, he was going to these parties that his friend Echavarria was throwing at his mansion. Did I say parties? I meant ‘parties.’ Did he ever invite me? No. Probably for the better. He never admitted it, but I think they were filming pornography up there. Nasty stuff, I’m sure, which is probably why he was always sneaking around about it, coming in at all hours, missing his calls for his real work.”
“I confronted him about it. I wasn’t scared of him. I never was. I told him he was being stupid. Putting everything we had worked for at risk like that. And for no reason. He laughed at me, laughed right out loud. Who’s laughing now? Nobody, that’s who. Later on, I did kind of start to get scared of him. He was moody. Sometimes he got violent. Sometime he just sat in a chair until he started, you know, drooling out of his mouth.”
When we pushed her for more information about this Echavarria, she told us what she knew. She told us his full name. Ramon. Ramon Echavarria. She knew his address too, in the hills of Highland Park. She knew the address of the barn as well, where the incident of 24’ had occurred, somewhere outside the city.
“You know, now that I think about it, the police came around once, asking about Ricky, before he died. There were plenty of people asking after he died, but now that we’re talking about it, there was this pair of detectives that came around before he died. They were asking about Echavarria, too. Weird questions, too — what was Ricky reading, did he take any drugs, did I know anything about ‘honey.’ No, that’s not it, not honey. ‘Nectar.’ They asked about ‘nectar.’ I’m sure that was the name of some perverted movie he was working on. Or the name of a hooker.”
We left Wilshire with some good leads and drove straight to the clipping agency office downtown. They had already found quite a few articles relating to Spend, mostly surrounding his death. We asked them to continue and added the names Ramon Echavarria and Donald Magwood to the list. We would come back tomorrow.
The articles they had were of two camps; tabloids relayed he had been stabbed to death at some crazy party in a barn in the north country, while mainstream papers reported he had died peacefully in his sleep from natural causes. I knew which I believed. Of the most interest to us from the articles, was a name, Olivia Clarendon, the name of the face, of the women in the sordid photos I thought I had recognised. Olivia Clarendon was once a B-grade movie star, who was now in the big time. She had certainly moved up in the world and it seemed that Spend and Clarendon had been friends. Special friends.
![]() |
| UCLA |
I
was directed to the Mathematics Department and to seek out a Ronald Schroeder,
the university’s resident cryptographer. Ronald was a very studious looking
kid, thick glasses, cardigan, the works, but was obviously quite brilliant. He
did this stuff as a hobby on the side, in between doing proper maths stuff. He
didn’t blink an eye at the coded ledger, told me to give twenty minutes and got
to work. When I returned he was beaming like a school boy. He handed it over
and gave me a quick rundown on what he had found.
![]() |
| THE CODED ACCOUNTS BOOK |
I
told Ronald how impressed I was and promised to make a donation to the
Mathematics Department in his name. When I asked him about an old fellow maths
student of UCLA named Edgar Job, the name did not ring a bell with him, but he
directed me to Stewart Tichener, the graduate advisor.
Professor
Tichner confirmed that Edgar Job was a memorable but not particularly good
student of mathematics at UCLA, who was an undergraduate from 1918–1922. His
grades were mediocre and he focused on math coursework. Job applied and was
admitted to a graduate program of mathematical study in 1923 and Tichener remembered
Job for his desperate need to be better than he actually was, pulling all-night
work sessions whose triumphant output was often completely wrong. The professor
was quite clear — Job was simply not a very good student, despite desperately
wanting to be so. Tichener recalled that Job up and disappeared in the middle
of a semester and assumed that Job had finally realized that his pursuits were
largely pointless.
When
I finally found Marcus waiting at the car he told me that he hadn’t had much
luck with Dr. MacDunn of the History Department. The man had momentarily showed
the Father a telegram from Professor Ayers, who was apparently in a dig in Africa,
which mentioned Echavarria and some important volumes, but had revealed little
else. Marcus was convinced that MacDunn was lying.
When
we pushed past MacDunn’s uptight secretary and let ourselves into his office,
Dr MacDunn was more than a little taken aback. He started to protest but I
threatened him with evidence that his wayward Professor Ayers had been philandering
with his under aged students and he quickly sat down and shut up. It was
obvious he did not want any bad publicity for his Department.
We
demanded the telegram along with anything else on Professor Ayer’s resent
exploits. MacDunn reluctantly retrieved a box from Ayer’s old office, which
strangely still had his name on the door, ten years since he’d occupied it. The
box was filled with documents, newspaper clippings and books.
Sunday, 22 October 2017
Session 03 - Marcus Black
Session 3
In the final hours of our time in Savannah,
Carter was troubled by the encounter we had been part of with the characters
who had threatened the diner patrons. He
came up with the idea of reporting them to the police, expecting that once they
were discovered living in the disgusting surroundings of his Oriental
counterparts, surely they would be slowed down in their pursuit of us.
After a rather brief phone call to the
police we boarded the Silver Sabre on our journey to Los Angeles. The ride was long yet I had no trouble
occupying myself, pouring over the books and journals written by Douglas
Henslowe, his mind was clearly broken, yet his words made sense in some strange
way.
November 5th 1934.
Los Angeles was an entirely different
landscape, the city was buzzing with life and activity, something we had been
void of for some time. We decided to try
to blend in as best we could, our first day started early, Carter and I decided
to invest in some new clothes, our current appearance made us somewhat out of place,
even in this booming town surrounded by tourists. Our first obvious stop was to the First Bank
of Long beach, where the safety deposit box was located, a long day’s work, the
drive from Central LA to Long beach taking all morning.
To our surprise, the bank was merely a
ruin, its doors boarded up, windows barren of glass replaced by timber
planks. Its steps littered with the
homeless who had lost work during the major earthquake of 1933.
We wandered close to the door, our rented
car appearing out of place parked against the once centrepiece of the
street. We engaged one of the men
located on the steps of the bank, ‘Boils’ as he was known, he told us about a
former employee named Jim who resided inside.
We payed him a couple of dollars to watch the car as we ventured inside.
It wasn’t hard to find Jim, he was still
wearing his Sunday best, it didn’t take much to find out that what we had been
travelling to find was no longer here, the disappointment on Carter’s face was
obvious, this was clearly a man who had no patience.
We discovered that the FDIC had taken
possession of all the deposit boxes that were once stored in the bank.
Cater made the call, phoning the LA branch
of the FDIC, he went into a fuming argument with what I can only assume was a
very unhelpful employee on the other end of the phone.
Carter drove us back to central LA,
confessing to him that his driving was making me nervous, his speed bordering
on insane as he informed me that we had little time to catch the FDIC office
before closing time if we ever wanted to see the safety deposit box.
We arrived with just enough time to spare,
we were able to secure the services of one Marv Burlington, an older gentleman,
easily able to be convinced to help us locate the box.
Marv stated that the box was still in Long
beach, at this news, Carter nearly lost his head, he was fuming, not only had
we spent the whole day driving, but we have very little time as we were both
keenly aware that we were being watched in Savannah and possibly here too.
Marv agreed to contact the warehouse in
Long beach to get the box brought to us overnight, in exchange for dinner and a
few drinks, and with Carter buying, a few was not the correct term.
We spent the night in our new hotel, a nice
place, somewhere that peace could be found, and the opportunity to not worry
about those following us for at least one night.
November 6th 1934.
We left the room late in the morning,
breakfast was something that we didn’t take for granted as our exploits so far
had made meal times unpredictable. We
were notified that a large package had been delivered to us in the night,
breakfast was put aside in lieu of this, what could only have been the safety
deposit box.
We returned with the box to our room,
Carter as if it was Christmas morning was nervously impatient to see what was
inside.
I took the key that we had received through
Douglas Henslowe’s belongings and sighed in relief as it unlocked the large
metal box.
I passed the ledger to Carter, thinking
that it might be more to his liking, I emptied the contents of the envelope,
finding within several photographs within.
The photographs were in a word, repulsive,
I felt my face shrivel and my hands shake at the images I was looking at. Without warning my instincts took over and I
began to cross myself at the sight of them.
The Photographs were within a wealthy
residence, the participants numerous of all ages and genders. They were engaged in the most fowl and
gratuitous acts of sexual depravity I have ever witness and hope never to
witness again. I could not go on, the
images were too disturbing, my lack of breakfast did not serve me well as I
began to dry heave.
I passed the stack of photos to Carter, his
reaction while equally as shocked, seemed less sickened at first glance.
After we had taken a few moments to compose
ourselves, we began to analyse the images, the setting was decadent, clearly
the home and gardens of a wealthy, high society individual. Further more we noticed that Edgar Job
appeared in some of these images, the same man who had attacked Douglas
Henslowe and landed in the Sanatorium in Savannah.
Another man was prominent, a Latin
American, a man we could only assume to be Echavarria.
We put the photos away promptly, both of us
were unsettled, it was obvious to us both that breakfast would not be
eaten. Carter picked up the ledge we had
nearly lost track of, he began trolling through it and discovered it was an
encrypted record of accounts, something I knew very little about. I could see his eyes scanning back and forth
over the pages, searching for clues.
As the sun moved towards the sky we decided
that our best way to discover any information on these people, as strangers
here, the records at City Hall would be the perfect place to start. Carter mentioned to me that he recognised
other people in the photos as famous actors, something I knew very little
about, a man named Richard Spend was the first name he said.
I decided that my priority in this was
simple, the books and teachings.
Something about the photos had left a horrid feeling in my stomach, I
couldn’t focus well on what we needed to give our attention too, my mind
disturbed by the images that had made a home behind my eyes.
We received assistance from the records
clerk, we discovered the life, death and living family of Mr Richard Spend,
very little could be discovered on Echavarria, it was as if he was nothing but
a ghost.
I also enquired regarding Edgar Job and his
time in Los Angeles, discovering that he was a student at UCLA and that his
professor, a Mr George Ayers was still employed there.
That was my new focus, something to take my
mind off the vulgarity of the mornings discoveries.
I made some phone calls at the closest
phone booth, UCLA was a strange place via telephone, I asked for Professor
Ayers and within minutes I had spoken to the Heads of the Mathematics
department, the history department and the administration assistants. After several strange conversations I had
managed to make an appointment with Dr Hamish McDunn, the head of the History
department and George Ayers superior.
Carter’s first decision was to head to the
home of a Miss Yolanda Spenzel, the sister of Richard Spend. Her address for a short drive away, Carter
was convinced that she would know about her brother’s death in 1924 and was
wanting to press her hard on the issue.
I put up little resistance, my appointment
at the university was not until 5:20 in the afternoon, plenty of time to see if
we could piece together what Richard Spend’s involvement was.
We drove to Wilshire, the suburb in which
Ms Spenzel was residing, it was a pleasant neighbourhood, filled with the
classic large homes no doubt belonging to the LA high and mighty. Our first reaction was that Ms Spenzel was
living well of her deceased brothers fortune. We reached the address provided by the records
clerk and Carter began his routine of investigation and interrogation.
It took us by surprise that this was indeed
her residence, a large manor house in suburbia Los Angeles, yet she was
allocated to the coach house in the far back corner, she was the cleaner.
Carter did most of the talking when we
arrived, all I could take in was that she was of very little information
regarding the activities of her brother and Ramon Echavarria. I was still a bit preoccupied with my own
thoughts, still unable to focus.
The drive from Ms Spenzel’s home was a
strange one, I was still distant in my mind from the events at present. Carter seems to be going in all the right
directions, I however have not felt this lost for some time.
We drove back to the Centre of LA, Carter
had previously engaged the services of the local newspaper clipping agency to
do some digging into the demise of Richard Spend and Echavarria.
They had discovered numerous articles on
the rising movie stars sudden death, all pointing to the farm, the infamous
farm where the nightmare for Douglas Henslowe reached its climax.
The most fascinating of facts that we were
able to determine amongst the mainly glorified ramblings of the tabloid press
was the relationship Spend had with a woman by the name of Olivia Clarendon, a
former low level actress who had risen to huge fame in recent years. Carter and I both recognised her from the
vulgar photographs located within the safety deposit box, the sight of this
beautiful actress tainted by the derogatory actions I had witnessed her
performing within the images.
Carter was convinced that she needed to be
questioned, but how, we would never gain access to one of LA’s biggest stars.
The time of my appointment at the University
was upon us, we made our way to the huge Campus of UCLA. Carter, ledger in Hand decided that he would
look into an expert in deciphering the book while I tracked down Dr Ayers. We agreed to meet back at the car once we
were done.
I made my way to the offices of Professor
MacDunn, his secretary seemed very strict and bound to her schedule, I was
early so she instructed me to wait for the seven minutes I had to spare. I wandered the corridor vaguely before discovering
a large office door with the plaque “Professor Ayers” on the front. I knocked on the door to discover a voice
inside enquiring as to who I was, unable to gain access to the office and the
man within insisting he was not Dr Ayers, curiously I withdrew and returned for
my appointment.
I made my way into Dr MacDunn’s office, a
funny sort of man, his background clearly academic, his eyes busy scanning me
as I’m sure he had no idea what to expect as his gaze focussed on my scarred
face.
I discussed with him the whereabouts of
Professor Ayers and to my interest he produced a telegram that had been sent
from Africa, Dr Ayers had been on a self-funded expedition in search of
academic promises of great things. I
believed his journey to be funded by Echavarria, however I was not getting any
helpful answers from Dr MacDunn. I asked
as to why Dr Ayers still has an office on the premises, only to be occupied by
another rather secretive professor.
Again MacDunn’s lack of information and clear distain for my questions
was beginning to frustrate me. The
telegram he produced regarding the expedition was odd, it was sent the MacDunn,
yet addressed for the attention of Ramon Echavarria, he had discovered volumes
of something that were of great importance, something he was sending back to
the University.
Again I enquired of the professor as to the
where about of the shipment, at this point MacDunn had grown weary of my
questions and insisted I leave, much to my dismay, I withdrew to the car in
wait for Carter to return.
I informed Carter that MacDunn was not
forthcoming and that I was sure he was refusing to tell me what he knows about
Ayers. That seemed to be all the
information that Carter required, without waiting, he marched us both past the
secretary and into MacDunn’s office, shocked, MacDunn attempted to call
security only to find Carter’s fist slamming him in the face. We also slung false allegations about Ayers
at MacDunn, his only reason for keeping Ayers on the books we discovered was to
continue the funding to the University that Ayers employment provided.
After Carter was finished with MacDunn, he
produced a large archive box from Ayers’ office, filled to the top with paper
clippings, note books, journals and all manner of material. I had my work cut out for me, as I know
Carter was not a fan of the written word.
What peeked my interest were the books
located in the “Volumes of urgent importance” as described by Ayers in his
telegram, the “Lot 18” was here, being handed to us, these books that resided
within were going to be my first endeavour, the lavish leather bindings calling
me to read them.
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